Peripheral Vision is an art criticism journal featuring work by top emerging and mid-career US visual artists, curated through national open calls. We publish bimonthly essay collections - subscription is free and all content is presented without third-party advertising. Issues No. 1-3 are due out in October and November.
The whimsical, meticulously composed oil paintings of Kelsey Anne Heimerman present the intimate and quotidian facets of urban experience on a monumental scale.
The contorted figures and mounds of flesh in the abstract oil paintings of Virginia Broersma represent the societal pressures and anxieties women face as objects of the gaze.
A pioneering digital artist and Iranian political refugee, Marjan Moghaddam harnesses the power of technology to create monumental paintings and interactive images revealing her personal narrative.
Nancy Baker Cahill's abstract drawings respond to the psychological and somatic effects of trauma, charting dislocated, dismembered forms across gridded visual spaces.
The embroidered abstract canvases of David Willburn memorialize the histories and vitality of the inanimate objects of domestic space.
Los Angeles painter Kelly Brumfield-Woods explores the optical and semantic potential of glitter and faux fur to make a distinctly feminine contribution to the history of California hard-edge abstraction.
Fiber artist Juliet Martin recasts the iconography of the "evil eye" as the subject of the male gaze, creating sensual woven forms in the SAORI tradition directing the viewer's eye toward erogenous zones.
Forthcoming (November 2016)
The figurative paintings of Zach Eichelberger restore humanism to contemporary art by validating the significance of isolation and connection to inner experience.
The abstract paintings and installations of Texas artist Scott Gleeson imagine a government, society, and built environment responsive to the needs of combat trauma survivors.
The abstract paintings of Danielle Kimzey merge found gestures and patterns to create a narrative where color and line expound upon personal and cultural experiences.
Colleen + Justin Shull's collaborative dissection of fashion magazines underscores the continued impact of print media on gender identity formation in the digital age.